MODERN INTERPRETATION IN STENOGRAPHY OF THE BALLET “LAZGI - DANCE OF HEART AND LOVE” ON THE STAGE OF THE STATE ACADEMIC BIG THEATER NAMED AFTER ALISHER NAVOI

Imankulova Inobat Maxkambaevna

MODERN INTERPRETATION IN STENOGRAPHY OF THE BALLET “LAZGI - DANCE OF HEART AND LOVE” ON THE STAGE OF THE STATE ACADEMIC BIG THEATER NAMED AFTER ALISHER NAVOI

Authors

Imankulova Inobat Maxkambaevna Basic doctoral student at the 2nd year at the National Art and Design Institute named after Kamoliddin Behzod

Keywords:

Scenography, flow, style, space

Abstract

The author of the article explored the modern interpretation of the ballet “Lazgi – Dance of Heart and Love” on the stage of the State Academic Bolshoi Theater named after Alisher Navoi.

References

Kadyrova D. Scenography of the Uzbek Theater of the XX century. Tashkent: San’at, 2009.

Kadyrova D.M. The problem of clothes and make-up in the Uzbek Theater of the XX century. – diss. UDK792.024. T.: 2002.

Mikhaylov A. Scenography: theory and experience (Essays), “Soviet artist”, M., 1990

German choreographer on the new production for “Astana Ballet” https://weproject.media/articles/detail/o-novoy-postanovke-dlya-astana-05/08/2019

Guarik Bagdasarova 06.09.2021 / Magiya tantsa: ballet “Lazgi” on the stage GABT A. Navoi. http://www.kultura.uz/

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Published

2021-11-30

How to Cite

Imankulova Inobat Maxkambaevna. (2021). MODERN INTERPRETATION IN STENOGRAPHY OF THE BALLET “LAZGI - DANCE OF HEART AND LOVE” ON THE STAGE OF THE STATE ACADEMIC BIG THEATER NAMED AFTER ALISHER NAVOI. World Bulletin of Social Sciences, 4(11), 160-163. Retrieved from https://scholarexpress.net/index.php/wbss/article/view/310